A couple of weeks ago I finally finished doing something I’ve been doing for some time. I’d set out a couple of years ago to listen to all the 107 (and a quarter) symphonies written by Joseph Haydn. I’d listened to about ten of them before I started. I liked one of these very much indeed and was motivated partly by the thought that I might find a few more that really captured my imagination. Listening to music isn’t that hard: we find ourselves doing it these days most days whether we like it or not, so it wasn’t exactly climbing all the Munros or swimming the channel.
Popular wisdom has it that the later symphonies (the Paris (82-87) and London symphonies (93-104)) are the “best”. This was another motivating factor for me. The one I liked most of those I knew was an early symphony: No 6 was the first one Haydn wrote for Prince Esterhazy, the aristocrat who employed Haydn for most of his working life. I soon discovered there were plenty more earlier symphonies worth listening to. No 6, in parts, used instruments in a soloistic way reminiscent of the baroque concerto grosso. I think its a shame that as the classical style developed, composers did this less and less. The combination of multiple soloists and orchestra makes for a rich texture. As a double bass player, I was ashamed to discover that I didn’t know what great solo double bass moments Haydn had incorporated into several of the symphonies. I also learned that Haydn had written a double bass concerto which has been lost. Judging by the double bass writing in the symphonies, that could represent the loss of what might arguably have been the greatest piece of double bass music in the repertoire for that instrument.
Symphony No 6 (Le Matin) begins with a magical evocation of the dawn. Haydn achieves with a few notes and the modest forces of the Esterhazy orchestra what Ravel, in Daphnis and Chloe, achieved with the help of every trick in the modern orchestration book. The way the opening puts one in mind of the rising sun is uncanny. If you’re wondering if that is indeed what you’ve just heard, the music that follows leaves you in no doubt. The birds start to sing:
I did come across several more of the symphonies that I especially liked – so, mission accomplished. I’m going to deal with these in a series of separate posts. I also discovered that the more I listened to Haydn symphonies, the more I wanted to listen again to other ones that had not appealed to me quite so much first time round.