Blogging Prone

Getting out of bed in the morning has suddenly become a lot more difficult.  Nine o’clock has been and gone and I’m still prone. Many years ago, as a trainee social worker studying counseling,  I was introduced to bioenergetics or ‘body psychotherapy’ and lying here on this new mattress reminds me of the hours I spent back then laid in the ‘grounding position’,  arms by my sides,  feet lightly crossed.

I’m listening to an album by the improvised music trio Iskra 1903. It doesn’t exactly induce a state of mindfulness, it’s too frenetic a lot of the time  for that. It does,  however,  take me to a safe,  playful,  sometimes serene place.  Derek Bailey,  one of the original members of the group described improvised music (I paraphrase, I  think)  as ‘music without memory’ and I’m sure this has a lot to do with the effect I describe.  There is no ‘epic narrative’. By and large,  the musicians are focussed on the present moment and the immediate future. The overall shape of the music, it seems, is simply determined by what happens.

Be that as it may,  I  find I’m beginning to feel less serene and more thirsty and hungry. It’s probably time to get up.


Rantin’ Richie

We went to a poetry gig this afternoon at the Sip Coffee bar in Richmond.  Top of the bill was a local poet (and Sip regular) Rantin’ Richie. Home-grown culture with a bit of an edge to it is not an everyday occurrence round here. This afternoon was quite treat (and, as usual, the coffee was good, too!).

Local musician Tim Crawshaw came along as a support act, singing several songs he wrote a few years ago,  revived in an act of ” musical archaeology”, although they sounded new,  fresh and relevant.  Three of us stepped up from the floor – I  read three of my poems,  Barbara Hughes sang a poignant feminist song she’s written (sadly, although it was a real highlight, it doesn’t seem to have found it’s way onto the internet, so no link!) and Psy Harrison (singer with the Ceiling Demons)  borrowed Tim’s guitar and sang the first song, The Roses,  from the band’s album,  Nil.

The rest of the afternoon was given over to Richie’s poetry,  most of it taken from his new book,  From Wandsworth to Wordsworth. The foreword to the book was written by Attila the Stockbroker, which gives readers unfamiliar with Rantin’ Richie some idea of what to expect but Richie’s voice is his own and his range is greater than the recommendation might suggest. He name-checks Bob Cobbing and Gabby Tyrrell. While he was reading one poem (I think it might have been The Child of the Forest) I was reminded of Lawrence Ferlinghetti – and an interview I  heard on the radio with him a few years ago in which he said how the world still needed Beat poets. It was good to see they’re still around.




Rantin’ Richie on Facebook

Taking it Easy

Actually sitting down here with a bottle of beer.  It’s not something I do very often,  sit doing nothing.  Hang on.. . I’m blogging. The beer, incidentally, is non-alcoholic. There’s quite a lot of half decent alcohol-free beer and wine around these days,  which is good for me.  I’ve never been a great drinker.  I do like the taste of wine and beer but perhaps fortunately for me,  I like it more than the alcohol in the stuff likes me. It doesn’t make me merry, it just makes me feel ill.

I’m sure I’m not the only one: I’d go so far as to say that the alcohol-free option is so good now I  can see it catching on and becoming the norm. People might turn to it from the hard stuff the way smokers have turned to vaping. An interesting future: smokeless cigarettes,  driverless cars, alcohol free booze.. ..

Anyone who knows me offline will have heard me go on about Marc Ribot. I’ve been listening to a lot of his music recently. No-one I mention his name to seems to have heard of him. He does have British fans – it just seems to be the case that I don’t know any of them.  I assume, too, that he’s better known in the States. Perhaps part of the problem is that he gets involved in such diverse projects – jazz,  post-punk,  Latin American, free improv- that you never know quite what to expect next. He’s both a professional and an enthusiast: it’s one of the things I really like about him.  Is this the same guitarist I embedded two posts back,  playing jazz at the Village Vanguard?

Polar Bear

I would describe myself most of the time as reasonably computer savvy. I’ve even been known to delve into the registries of old PCs, tinkering with lines of digital gobbledygook to keep the old things going. However, what catches me out again and again is when technology takes a step forward and I’m left behind thinking I have to do something which actually does itself. Bluetooth is a case in point. I’ve had very little to do with it even though it’s been around for a long while. I hate to admit that I spent a few minutes looking round my car in the dark for a jack socket last night so I could plug the audio from my tablet into the sound system. After a few minutes, the penny dropped. Bluetooth, you fool! I turned on the ignition, woke up the tablet and hey presto, sound!

And it was all because I wanted to listen to Polar Bear. I went to one of their gigs at the Sage with my daughter (her idea) a few years ago and I’ve been listening to them quite a lot recently. Life-affirming, cheerfully witty and serious all at the same time.



Great Pinseat

Went out for a ride on Monday with AP.  We haven’t been out for weeks, what with one thing and another. As usual,  we drove over the hill to Swaledale – on this occasion, to Surrender Bridge.  Neither of us felt up to much,  so we opted to head up to the top of Great Pinseat (583m) via the Old Gang lead mine.  It’s a circular route of about five miles – a long,  gradual ascent ending with an exhilarating, bone-shaking descent back to the road.

The track up to the mine is cut into a steep, bare hillside overlooking a beck. As you make your way up the valley,  beck and track converge. At first the beck is too far away to hear but as you approach the old mine buildings, one becomes gradually aware of the sound of rushing water. This is the course of the “Coast to Coast” path.  It’s sometimes busy but today we only saw one or two walkers and nobody seemed in a hurry to go anywhere. There is plenty to explore here: just out of sight over the skyline is Healaugh Crag,  a jumbled mass of rocks strung out along the edge of the plateau above us.

When we reached the far side of the mine buildings we stopped for a drink. The track steepens briefly here. Quite soon it becomes a lot more desolate and exposed until you reach an area of spoil-heaps close to the summit. We took another break here.  It was such a bright,  sunny afternoon it was easy not to notice just how cold it was.

We were looking forward to the fast,  exciting descent back to Surrender Bridge.  However, we’d not gone far when,  bouncing over a rough section of the track I heard a sharp “clang” behind me. Riding over a rock I had just been bounced out of the saddle and instinct told me not to sit down again! I stopped to see what had happened. The bolt securing the saddle had sheared: the saddle and it’s associated  components had flown off. We recovered the saddle but most of the small parts were lost in the heather.

I didn’t realise how tiring it is to cycle without a saddle. It’s impossible, obviously, to sit down for a rest. Fortunately, we didn’t have far to go. On the way home we stopped at the nearest bike shop to see what could be done.  Unfortunately, it was closed.  When I got home I telephoned one of the next nearest, Arthur Caygill’s, instead.

They told me to bring in the saddle and the saddle-post, as they had a box of second-hand parts and might well be able to fix them together again. Unfortunately, we couldn’t find a combination of bolts and clamps that fitted,  so I had to buy a new saddle post. When you ride a bike you quickly discover how a bike is an assemblage of replaceable components most of which are not too expensive. They shortened the new post for me and I took it home to reassemble myself.  Total cost £20.

Arthur Caygill was a well-known time-trialler in the north of England the early 1970s, before moving into bike-building. While we were sorting through the saddle bolts,  he told me about Arthur Metcalfe. Metcalfe rode twice In the Tour de France and won the Milk Race in 1964. His winner’s jersey (seen in the video below)  is on display in the shop.

A Week in Wales

We’re just back from a week’s holiday in North Wales. We’ve been going there regularly for so long now, I must have spent over a year of my life there! Years ago, I travelled abroad a few times, but to my own surprise I don’t have much urge to travel. It’s not just the prospect of flying, of boarding and disembarking, checking in and checking out, although these sources of stress are bad enough: it’s also the question of what I want to do when I reach my destination. I prefer getting to know places to just seeing them. I like to know the backstreets of the places I go to and the names of the hills on the skyline. I like the repetition of returning to them.

It used to be an easy journey from here to Porthmadog but over the years it has become more and more difficult. A mixture of heavy traffic, holdups and roadworks on the motorways around Manchester usually means it takes hours longer than it once did. We’ve taken to travelling late and stopping overnight half way, at a Travelodge just over the Welsh border.

This is where we found ourselves just over a week ago now. The following morning, we set off along the coast then headed inland along the Conwy valley. We stopped at the Ffin y Parc gallery there: good coffee, a comfortable sofa and view of the steep, forested slopes that mark the edge of the Carneddau mountains. It is an magical place and it’s easy to wile away an hour or two there without realising it.

We were saying in Borth y Gest,  a small harbour on the edge of Porthmadog.  We’d been to the house we rented for the week before but not for several years. It was odd,  stepping into an empty house I’d last stepped out of six years ago to find it virtually unchanged. Once we’d unpacked,  it was strange,  too, to do routine things around the house and find very old memories stirred of doing them before.

One evening,  after dark, we drove out to Criccieth and walked along the seafront. At the end of the path we strayed away from the road and found ourselves at the very edge of the sea, not far from the cliffs below the castle. There was almost no wind and the sea hardly moved. It was -at the risk of overusing the word- quite magical. The beach at Criccieth always reminds me of the Robert Graves poem,  Welsh Incident:

”But that was nothing to what things came out
‘From the sea-caves of Criccieth yonder.’
‘’What were they? Mermaids? dragons? ghosts?’
‘’Nothing at all of any things like that.’
‘’What were they, then?’
‘’All sorts of queer things,
‘Things never seen or heard or written about,
‘Very strange…’


Someone we spoke to mentioned that the mountain bike centre in Coed y Brenin Forest Park had devised several wheelchair trails through the woods there. We went to investigate. We explored the trail that led downhill through the trees to the bank of the Afon Eden. We had lunch at the nearby forest café. It had all been so good we went back the next day to do another of the trails: this one, up to the ruins of a copper mine, a high path that contoured the steep side of a tree-lined valley. A hundred feet or so below the slope ended in a stream-bed. The sound of white water rushing between the rocks there was a background presence all afternoon. All the paths we explored were great opportunities for people with mobility problems to get to wild places usually only available to the able-boddied.


Which brings me to Erddig,  a National Trust property not far from Wrecsam. We visited it midweek.  Two friends of ours were on holiday in the Peak District and we’d chosen Erddig as a good,  central place to meet up for the afternoon. The house is famous for its apples (they grow over 140 varieties there) and the fact that they had portraits made of the servants for many years and even, bizarrely,  wrote poetry about them. Servants at Erddig certainly enjoyed far better conditions than most servants working in “big houses” used to.

Unfortunately, there is no wheelchair access to the upper floors of the house. There is a “virtual tour” for anyone who can’t climb the stairs.  It’s quite good – it certainly lets you see all the extraordinary things you’re missing.  I couldn’t help wondering if we’d buy tickets to the Louvre only to see a photograph of the Mona Lisa at the foot of a staircase I couldn’t climb with K. Fortunately, being members of the National Trust,  we didn’t need to buy tickets but please,  National Trust,  put a lift in the house!

It was good to meet up with A and J. We live over 200 miles apart. If we lived closer,  we’d see a lot more of each other. It’s a fact of modern life that many of one’s relations and closest friends can end up living a long distance away.  There is the consolation that one appreciates them more,  perhaps, when one can’t take their company for granted. However, it’s a state of affairs that can leave people vulnerable and isolated. I’ve heard it said that though Mexico spends slightly less on health and social care (slightly,  note) than the UK,  one may possibly  fare better in Mexico as the bonds of the extended family are still strong there and family members tend to live in closer proximity to each other. Mutual support can outweigh the slight difference in funding.


One day,  we travelled down the Llyn Peninsula to another art gallery,  Plas Gwyn y Weddw  at Llanbedrog. There were several exhibitions on,  including one of photographs of Welsh pop stars who sang in Welsh from the 1960s and 1970s – as they are now, fifty years later. K liked James Naughton’s landscapes – they have a dark,  brooding, almost Gothic feel to them. I felt more drawn to Deborah Butler’s semi-abstract landscapes, particularly the least “semi-“: the ones where all figurative elements  of the work  have been lost. When I see art that pushes forms in landscapes towards abstraction,  I’m usually  left feeling that the artist can push it all the way for me.  I warm to abstract painting.


We like going out to walk at night. One evening we set off on a walk along the front at Borth y Gest itself. We’ve been visiting the place for many,  many years. One place is particularly special for me: at the western end of the village,  the road turns to a path over a grassy prominence. We have often hung around here in the dark,  over the years, at the top of the low,  sea cliffs that run most of the way from here to Black Rock Sands. Across the estuary you can see the lights of Harlech. Here and there, in the sea,  red and green lighted buoys slowly flash on and off. Once,  stood here,  I saw a massive fireball streak across the sky,  disintegrating as it plummeted towards the hills beyond Ffestiniog. Climbing the low cliffs here by day, or walking  here with K at night – I can’t think of a time I’ve stood here and not felt intensely happy.


We made our way back on Saturday morning,  stopping again for a timeless coffee-break at Ffin y Parc. Unusually,  we encountered virtually no congestion.  For a change,  we decided to head up the M6 to Lancashire before heading off across the Yorkshire Dales to get home. Warnings of hold-ups ahead had us heading of the motorway earlier than we intended and we ended up taking a road along the lower edge of the Forest of Bowland: a pleasant journey,  I  thought, as it is an area I hardly know. We arrived home not long before A and J, who had arranged to stay with us for the night before heading home themselves the next day. A and I had both grown up in small villages in Lincolnshire and we sat up a little too late together, revisiting them with the aid of GoogleMaps and comparing notes.