On Exactitude

For a while now I’ve been recording free improvised music and posting it online. I’ve been going through the recordings recently and putting them into some sort of order. I’ve reposted the result on Bandcamp, in the form of an album. It is, I realise, a minority taste but that doesn’t really matter: I feel as if it comes from somewhere and has to get out.

My interest in improvising goes right back to my teens. I and two friends, all three of us following quite traditional paths through musical education, used to get together to indulge in spontaneous, avant-garde music-making sessions. We discovered the thrill for ourselves: we didn’t read any Modernist manifestos or theoretical writings on the subject (that came later). And the thrill was more than the thrill of transgression: we knew from experience that what we did worked as music.

Unfortunately, these days I’m a one-man band. It occurred to me that there was nothing stopping me multi-tracking improvised music. I could record myself improvising on the double bass, say, then record myself improvising on the guitar while listening to the first recording and so on. Digital technology makes this much less expensive and cumbersome than it used to be. In addition to the bass and the guitars (classical and acoustic, sometimes “prepared”) I worked with synthesizer software and a Korg Monotron synthesizer, sometimes making purely electronic music, other times modifying the sounds made by the other instruments. Occasionally I threw in a rebec and various toy instruments.

After much thought, I decided to call the album On Exactitude, after the Jorge Louis Borges short story, On Exactitude in Science. It’s the story of how map makers made bigger and  bigger maps of an Empire, finally coming up with a 1:1 map the size of the Empire itself: once unfolded, it covered the land it represented. It occurred to the people in the story that the map was useless and so they left it to the elements to rot away – although, as the story says, in the Deserts of the West, still today, there are Tattered Ruins of that Map…

It seemed apt. Firstly, I had been trying to think of a title but kept coming back to the fact that the music described itself and so was itself its own title. Then, the paper map of the story put me in mind of the tradition of written down, composed music that, in this case at least, had become unnecessary to the job in hand.